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Thursday, March 28, 2019

The Use of Symbolism in T.S. Eliots, The Love Song of J. Alfred Prufro

The Use of Symbolism in T.S. Eliots, The live Song of J. Alfred PrufrockA well-written meter is built out of levels. Each level alludes to the next until the last-ditch discovery of the poets subject. The Love Song of J. Alfred Prufrock, by T. S. Eliot, provides a perfect pillowcase of a well-crafted poesy comprised of sequential levels, also known as a framed story. At the level just below the very surface, the poem obscurely tells the story of a failed lobster prophet, resurrected from the dead to warn other lobsters of the poisonous fate that awaits them in the event of their capture. In the course of the story, the lobster prophet travel prey to the harvest of a lobster catcher and is then sent to a restaurant as food. While in the tank with the other lobsters, he reflects on and laments his life. This interpretation serves as a vehicle for presenting the true message of the poem, which exists on the next level, to the audience. The story of the lobster represents Eliots own fear of people overlooking the messages he attempts to convey in his poetry. Even though he has well-educated this lesson from previous poems, he feels an attempt to save his future poems is futile in the same way as one lobster saving another is futile. atomic number 53 indicator that the lobster interpretation exists at the level below the surface of the poem is the scandalmongering fog that fills the ... sawdust restaurants with oyster-shells (Eliot L. 7). The persona describes The yellow fog that rubs its back upon the windowpane panes / ... Lingered upon the pools that stand in drains (Eliot LL. 15&18). The yellow fog from the passage is the move from a restaurants lobster pot that boils and cooks the lobsters. The yellow fog receives its color from the dim yellow lighting of... ...e, inside the unimportance of the poem at its most frivolous level, like the abuseds half of the ox. Eliot is afraid that the audience will mistake the obscurity of the poem as the best pa rt, and overlook the hidden good on the inside, just as the abusers did with their half of the ox. By wrapping one subject inside of another in this way, Eliot builds an excellent compilation of levels into one, well-written poem.Works CitedEliot, T. S.. The Love Song of Alfred J. Prufrock. Making Literature Matter An Anthology for Readers and Writers. 2nd Ed. Schlib & Clifford. Boston Bedford, 2003. 851-855.Hesiod. Theogony. Trans. Apostolos N. Athanassakis. Baltimore fast one Hopkins University, 1983.Hesiod. Works and Days. Trans. Apostolos N. Athanassakis. Baltimore John Hopkins University, 1983.Holy Bible. King James Version. Nashville doubting Thomas Nelson, 1984.

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